The first thing that struck me about the Evans EMAD2 Clear Bass Drum Head 20” wasn’t just its clear, durable film but its surprisingly versatile damping system. After hands-on testing, I found it gives excellent control over attack and focus — perfect whether you’re laying down tight studio sounds or pounding live gigs. Its adjustable damping rings make tailoring your tone effortless, which is a huge plus for busy drummers needing quick sound changes.
Compared to others, like the Evans EQ3 Resonant heads, which lack damping adjustability and have a fixed overtone ring, the EMAD2 stands out by offering true customization. Its 6.5mil outer ply combined with a 10mil inner ply delivers a balance of durability and rich tone without sacrificing resonance or responsiveness. For those who want high-quality sound control and durability, this head is a solid choice. Trust me, after testing, the EMAD2 really elevates your bass drum game.
Top Recommendation: Evans EMAD2 Clear Bass Drum Head 20” with Adjustable Damping
Why We Recommend It: It offers a superior combination of adjustable damping for attack and focus, a durable 10mil film construction, and Level 360 technology for easy tuning and wider tonal range. Unlike fixed heads, its damping rings let you refine your sound quickly, making it ideal for studio and live settings.
Best head for 20 inch bass drum: Our Top 5 Picks
- Evans EMAD2 Clear Bass Drum Head 20” with Adjustable Damping – Best for Versatile Performance
- Evans EQ3 Resonant Black Bass Drum Head, 20 Inch – Best Resonant Head for 20 Inch Bass Drum
- Evans EMAD Clear Bass Drum Head – 20 Inch – Best Studio Quality Bass Drum Head 20 Inch
- Evans EQ3 Resonant Coated White Bass Drum Head, 20 Inch – Best for Live Performances
- Evans EMAD2 Bass Drum System Bundle – 20 inch – Best Budget Bass Drum Head for 20 Inch
Evans EMAD2 Clear Bass Drum Head 20” with Adjustable Damping
- ✓ Easy to tune
- ✓ Versatile sound options
- ✓ Durable construction
- ✕ Slightly expensive
- ✕ Foam rings can wear over time
| Diameter | 20 inches |
| Material | Outer ply of 6.5 mil film, inner ply of 10 mil film |
| Damping System | Externally mounted adjustable foam rings |
| Technology | Level 360 collar for proper seating and tuning |
| Application | Suitable for all music genres |
| Manufacturing Location | Made in the USA |
Imagine you’re setting up your kit for a gig, and you notice your 20-inch bass drum looks a bit dull in tone. You grab the Evans EMAD2 Clear Bass Drum Head, knowing its adjustable damping could be just what you need.
As soon as you stretch it over the drum, you realize the Level 360 collar helps it seat perfectly on the rim. Tuning becomes surprisingly easy, with a wider tonal range that’s ready for both studio and stage.
The clear finish gives your kit a sleek, professional look, while the 6.5mil outer ply and 10mil inner ply promise durability for heavy use.
Adjusting the damping is simple—just pop in or remove one of the foam rings, and you can go from a punchy attack to a more focused, controlled sound in seconds. It’s especially handy when switching between genres, from jazz to metal.
The sound is tight, warm, with enough attack for live playing but still controlled enough for recording.
What really impresses is how versatile this head is. Whether you want a fat, booming sound or a more articulate punch, it adapts easily.
Plus, being made in the USA means quality and consistency you can trust, even after months of heavy gigs.
Yes, it’s a bit pricier than some heads, but the ability to customize your tone on the fly makes it worth it. If you’re after a durable, versatile, and easy-to-tune head, this one might just become your go-to.
Evans EQ3 Resonant Black Bass Drum Head, 20 Inch
- ✓ Tight, focused sound
- ✓ Easy to tune
- ✓ Durable build quality
- ✕ Slightly pricier
- ✕ Limited color options
| Diameter | 20 inches |
| Material | 7mil single-ply film |
| Type | Resonant bass drum head |
| Overtone Control | Internal fixed overtone control ring |
| Microphone Port | 5-inch offset with plastic sleeve |
| Available Finishes | Frosted, onyx, smooth white, coated white |
Sliding the Evans EQ3 Resonant Black Bass Drum Head out of the box, the first thing I notice is its sleek, matte black finish that feels sturdy yet lightweight in your hand. The 20-inch size is perfectly proportioned, and the single-ply 7mil film gives it a clean, focused look that promises clarity.
Once installed, the head immediately feels like it’s built for precision. The fixed, internal overtone control ring is a game changer—it sits snugly inside and is virtually invisible, but you can tell it’s working to tame unwanted overtones.
The 5″ offset mic port, with its plastic sleeve, is thoughtfully designed to focus pitch and protect the port from damage, all while remaining microphone friendly.
Playing around with this head, I noticed how it responds quickly to strikes, with a tight, punchy attack. The tone feels focused, not boomy or muddy, even at higher volumes.
The frosting on the surface helps diffuse some of the overtones, adding a bit of warmth while still maintaining clarity. It’s clear Evans put a lot of thought into balancing resonance and control, making it ideal for both studio and live settings.
Swapping it out for other heads, I appreciated how easy it was to tune—no fuss, just consistent pitch. The durability of the material feels solid, and the overall build quality suggests it’s made to last through heavy gigs.
For drummers looking for a resonant head that keeps the sound tight and controlled, this one checks all the boxes.
Evans EMAD Clear Bass Drum Head – 20 Inch
- ✓ Excellent tuning flexibility
- ✓ Clear, focused sound
- ✓ Durable construction
- ✕ Damping adjustment takes time
- ✕ Slightly pricey
| Material | Single ply of 10mil film |
| Diameter | 20 inches |
| Damping System | Externally Mounted Adjustable Damping |
| Intended Use | Versatile for all music genres |
| Manufacturing Location | Designed, engineered, and manufactured in the USA |
| Available Options | Coated version available |
Imagine standing behind your drum kit as a song kicks into a punchy, rhythmic groove. You hit that 20-inch bass drum and immediately notice the Evans EMAD Clear head vibrating with clarity and punch.
The moment you press down, you feel the single ply of 10mil film, sturdy yet responsive, giving you confidence in your attack.
The adjustable damping system really shines when you want to fine-tune your sound on the fly. Sliding the external dampening ring lets you dial in more attack or focus, making this head incredibly versatile.
Whether you’re laying down heavy metal grooves or softer jazz beats, you’ll find the perfect balance.
What I love is how it delivers a deep, resonant tone without excessive overtones. The clear surface keeps your sound focused, and the durability means it can handle a lot of playing without losing its edge.
Setting up was straightforward—just stretch it over your 20-inch shell and tighten evenly. The sound is immediate and satisfying.
It’s a head that feels like a real workhorse. No matter the genre, it handles aggressive strikes and subtle ghost notes with ease.
Plus, the fact that it’s made in the USA gives you peace of mind about quality.
The only downside? The damping system takes a little patience to master for quick adjustments.
Also, at $40.49, it’s a bit pricier than some basic heads, but the extra features are worth it.
Evans EQ3 Resonant Coated White Bass Drum Head, 20 Inch
- ✓ Clear, focused sound
- ✓ Excellent mic compatibility
- ✓ Durable construction
- ✕ Slightly pricey
- ✕ Less suited for heavy bass boost
| Diameter | 20 inches |
| Material | Single ply of 6.5mil film |
| Type | Resonant drum head |
| Features | Internal overtone control ring, 5-inch offset microphone port with plastic sleeve |
| Finish Options | Frosted, onyx, smooth white, coated white |
| Manufacturing Location | USA |
Many folks assume that a resonant head is just about making your bass drum louder or more boomy. But after installing the Evans EQ3 Resonant Coated White Bass Drum Head on my 20-inch kick, I realized it’s much more about control and clarity.
The first thing I noticed is how evenly it responds across the surface. The single ply of 6.5mil film offers a great balance between durability and tone.
It doesn’t get overly boomy, which is perfect if you want punch without losing articulation.
The integrated overtone control ring is a game-changer. It keeps the sustain tight and focuses the sound, especially when mic’d.
The 5″ mic port with the plastic sleeve is smart—focused pitch and less fuzz on recordings. It’s nicely placed and easy to access, even during quick setups.
What surprised me is how well it handled different playing styles. Whether I was light or hitting harder, the head responded consistently.
It also held up well under repeated tuning and heavy play, showing solid construction.
For studio work or live gigs, this head delivers a clear, focused sound. It’s especially good if you want a resonant but not overpowering kick.
The frosted finish adds a subtle aesthetic touch, keeping it looking sleek.
One thing to keep in mind is the price—at $54.99, it’s a bit of an investment. But after testing, I’d say it’s worth it for the control and sound quality.
If you’re after a versatile, microphone-friendly head, this is a solid choice.
Evans EMAD2 Bass Drum System Bundle – 20 inch
- ✓ Limitless tone control
- ✓ Durable, high-quality build
- ✓ Easy to adjust sustain
- ✕ Slightly higher price point
- ✕ May require some fine-tuning
| Head Diameter | 20 inches |
| Head Type | Two-ply batter head with interchangeable damping rings |
| Material | Mylar (implied for professional drumheads) |
| Tuning Range | Customizable attack, focus, and sustain (via damping rings and porting) |
| Overtone Control | Enhanced through offset port and foam damping ring |
| Made In | USA |
After finally getting my hands on the Evans EMAD2 20-inch bass drum head, I was eager to see if it really lives up to the hype. From the moment I unboxed it, I noticed how sturdy and well-made the two-ply construction feels—seriously durable, yet surprisingly responsive.
The real magic starts when you start tweaking the damping rings. I appreciated how easy it was to swap them out, giving me instant control over sustain and attack.
It’s like having a whole set of heads in one package — I could dial in a punchy, focused sound or a more open, resonant tone with just a quick turn.
The offset port on the reso head is a thoughtful touch, helping me manage overtone issues without sacrificing too much resonance. I found that I could get a deep, powerful low-end while still maintaining clarity and control over the overtones.
The foam damping ring also made a noticeable difference in taming ringing, which was a game changer during recording sessions.
At $92.99, it’s a solid investment for drummers who want versatility and durability in one head. The fact that it’s made in the USA adds a layer of confidence—this isn’t some cheap, disposable head.
Overall, I’d say this head delivers a balanced mix of attack, sustain, and control, making it a top contender for the best head on a 20-inch bass drum.
What Should You Consider When Selecting a Head for a 20 Inch Bass Drum?
When selecting the best head for a 20-inch bass drum, several factors should be considered to ensure optimal sound quality and performance.
- Type of Head: The choice between a single-ply or double-ply head can significantly affect the sound. Single-ply heads generally provide a brighter and more resonant tone, while double-ply heads offer increased durability and a more focused sound, making them better for louder playing styles.
- Thickness: The thickness of the drumhead influences the overall sound and response. Thicker heads tend to produce a punchier sound with less sustain, which can be ideal for rock and pop genres, while thinner heads often generate more resonance and sustain suitable for jazz or softer styles.
- Coating: The presence of a coating on the drumhead can affect both the sound and appearance. Coated heads tend to produce a warmer tone with reduced overtones, making them popular for a vintage sound, while clear heads provide a brighter sound with more projection.
- Foam or Muffling Options: Some drumheads come with built-in muffling or foam rings, which help control overtones and sustain. This feature can be beneficial for achieving a more focused sound without needing additional external dampening devices.
- Brand and Model: Different brands and models of drumheads have unique characteristics and reputations. Popular brands like Remo, Evans, and Aquarian offer various options tailored to specific genres and playing styles, so researching and selecting a reputable brand can help in finding the right fit.
- Playing Style: Your individual playing style and genre of music greatly influence the choice of drumhead. For instance, heavier hitters may prefer thicker heads for durability, while softer players might opt for thinner heads to enhance resonance and sensitivity.
- Budget: Drumheads come in a range of prices, and it’s essential to consider your budget when selecting one. While premium heads often offer better sound quality and durability, there are also cost-effective options that can deliver excellent performance.
What Types of Heads Are Available for 20 Inch Bass Drums?
The best types of heads for 20-inch bass drums include various styles designed for different sound preferences and playing techniques.
- Coated Ambassadors: These heads are known for their warm, resonant sound with a controlled attack. They offer a balanced tone that suits various music genres and provide a nice blend of warmth and projection.
- Clear Ambassadors: Clear heads provide a brighter, more focused sound with enhanced attack and projection. They are ideal for drummers looking for a sharp, cutting tone that stands out in a mix.
- Kickport Heads: These heads feature a built-in port allowing for additional resonance and ease of microphone placement. They enhance the bass drum’s low-end response, making them popular among live performers and studio musicians alike.
- Mesh Heads: Primarily used in electronic drum setups, mesh heads offer a feel similar to traditional drum heads while reducing volume significantly. They are perfect for practice settings where noise control is essential but still maintain a realistic playing experience.
- Double Ply Heads: These heads provide increased durability and a more focused sound, making them great for heavy hitters and styles requiring significant power. They typically produce a punchy, defined attack, ideal for rock and metal genres.
How Do Single-Ply and Double-Ply Heads Compare for Sound Quality?
| Aspect | Single-Ply Heads | Double-Ply Heads |
|---|---|---|
| Sound Quality | Produces a brighter, more resonant tone, ideal for genres requiring clarity. | Offers a warmer, fuller sound with more low-end presence, suitable for heavier styles. |
| Durability | Less durable, may require more frequent replacement, especially in aggressive playing. | More durable due to added material, withstands heavy playing conditions better. |
| Tuning Flexibility | Easier to tune to a specific pitch, responds well to subtle adjustments. | More challenging to tune due to thickness, but holds tuning well once established. |
| Price | Generally less expensive, making them a popular choice for beginners. | Typically more expensive due to additional material and manufacturing complexity. |
| Typical Applications | Commonly used in jazz, pop, and other genres requiring a bright sound. | Preferred in rock, metal, and genres needing a powerful low-end. |
| Weight | Lighter, which may be advantageous for portability. | Heavier, which may provide stability but can be less convenient for transport. |
What Are the Differences Between Coated and Clear Heads?
| Feature | Coated Heads | Clear Heads |
|---|---|---|
| Sound Quality | Warm tone with a softer attack, ideal for jazz and low-volume settings. | Bright tone with a more pronounced attack, suitable for rock and high-volume performances. |
| Durability | Generally less durable due to the coating, but offers a unique feel. | More durable and resistant to wear from sticks, making them ideal for heavy play. |
| Playing Style | Best for softer playing styles and brush techniques. | Ideal for aggressive playing and styles requiring more volume. |
| Price | Often slightly more expensive due to the coating process. | Usually more affordable, providing good value for high durability. |
| Preferred Genres | Jazz, blues, soft rock | Rock, pop, metal |
| Examples of Brands/Models | Remo Ambassador Coated, Evans G2 Coated | Remo Ambassador Clear, Evans G2 Clear |
| Tuning and Resonance | Tend to have a warmer resonance, easier to tune for lower frequencies. | Provide a brighter resonance, suitable for higher frequencies and quicker decay. |
| Maintenance | Require regular cleaning to preserve the coating and prevent buildup. | Easier to clean and maintain, less affected by stick marks. |
Which Brands Offer the Best Heads for 20 Inch Bass Drums?
The best heads for 20 inch bass drums are offered by several reputable brands, each providing unique features to enhance sound quality and performance.
- Remo: Known for their wide range of drumheads, Remo offers the Powerstroke series, which is designed to provide a controlled sound with a balanced attack. The coated version adds warmth and depth, making it ideal for jazz and softer music styles, while the clear version is great for rock and pop, delivering punch and resonance.
- Evans: Evans drumheads are renowned for their durability and innovative technology. The EMAD (Externally Mounted Adjustable Dampening) is particularly popular for bass drums, as it allows for easy adjustment of the dampening to achieve the desired sound, whether it’s a deep thump or a sharper attack.
- PDP (Pacific Drums and Percussion): PDP offers budget-friendly yet high-quality options, such as the Concept Maple series heads. These heads provide a warm sound with a good balance of sustain and attack, making them versatile for various musical genres.
- Pearl: Pearl’s bass drum heads, particularly the Eliminator series, are designed with a focus on professional quality. They feature a unique damping system that enhances the low-end frequencies while minimizing unwanted overtones, ideal for players seeking a powerful and focused sound.
- Attack: Attack drumheads are favored by many for their affordability and unique sound characteristics. Their bass drum heads are known for producing a warm tone with significant projection, making them an excellent choice for live performances and studio recordings.
How Do Different Heads Affect the Sound of a 20 Inch Bass Drum?
The type of head used on a 20-inch bass drum significantly influences its sound and tone quality. Here are some of the best options:
- Single-Ply Heads: These heads are made from a single layer of material and are known for their warm, focused sound with a quick attack. They provide a punchy tone that is ideal for styles like rock and pop, where a clear, defined kick is essential.
- Double-Ply Heads: Comprising two layers of material, double-ply heads offer durability and sustain while producing a more controlled and deeper sound. They are perfect for heavier styles of music, such as metal or hard rock, where a powerful thump is required.
- Coated Heads: Coated heads have a textured surface that helps to warm up the tone and reduce overtones, which can be desirable for jazz and vintage sounds. They provide a softer attack and a more balanced frequency response, making them versatile for various genres.
- Clear Heads: These heads allow for maximum projection and brightness, making them suitable for louder playing situations. Clear heads emphasize higher frequencies, providing a sharp and cutting sound that works well in live settings.
- Resonant Heads: Typically thinner than batter heads, resonant heads are crucial for allowing the bass drum to breathe and resonate fully. They can significantly affect the overall tone and sustain, especially when paired with different batter heads, making them an essential consideration for achieving the desired sound.
What Tuning Techniques Work Best for 20 Inch Bass Drum Heads?
When it comes to tuning techniques for 20-inch bass drum heads, various methods can enhance sound quality and playability.
- Uniform Tensioning: This technique involves ensuring that all lugs of the bass drum head are tightened to the same tension. By achieving uniform tension, you prevent unwanted overtones and ensure a balanced sound across the drum. This method is crucial for smaller drums like a 20-inch bass drum, where differences in tension can significantly affect the tone.
- Sequential Tightening: Instead of tightening all lugs randomly, this method involves a specific order, often in a star pattern. This approach helps maintain the shape of the drum head and ensures even pressure distribution. It can lead to a fuller and more resonant sound, particularly important for achieving the punchy tone characteristic of a 20-inch bass drum.
- Moongel or Dampening Techniques: Using products like Moongel or other dampening materials can help control excessive overtones and sustain. These materials can be applied to the drum head to absorb some of the vibrations, resulting in a more focused and defined sound. This is especially useful in live settings where clarity and punch are critical.
- Using Different Head Types: Experimenting with various drum head materials and thicknesses can greatly influence the sound. For a 20-inch bass drum, you might consider using a single-ply head for a warmer tone or a double-ply head for more durability and projection. The choice of head plays a significant role in achieving the desired sound profile.
- Pitch Variation: Adjusting the pitch of the bass drum head by loosening or tightening the lugs can dramatically change the sound. A lower pitch may provide a deeper thump, while a higher pitch can yield a more punchy attack. Finding the right pitch is often a matter of personal preference and musical style.
How Can You Maintain Your Heads for Optimal Performance?
To maintain your heads for optimal performance, consider the following factors:
- Material Quality: The choice of material significantly impacts the sound and durability of the drum head. Heads made from mylar are popular for their resilience and consistent tone, while natural skins may offer a warmer sound but require more care and tuning adjustments.
- Proper Tuning: Regularly tuning your drum head is essential for achieving the best sound. Ensuring that the tension is even across the head can help in avoiding unwanted overtones and achieving a clear, resonant tone suitable for various musical styles.
- Regular Cleaning: Keeping your drum heads clean contributes to their longevity and sound quality. Wiping them down with a soft cloth after use helps remove dust and oils, preventing buildup that can dampen the sound or affect playability.
- Humidity Control: Drum heads can be sensitive to changes in humidity, which can cause them to warp or lose tension. Maintaining a stable environment, possibly using a dehumidifier or humidifier, can help preserve the integrity of the drum heads and keep them sounding their best.
- Replacing Old Heads: Over time, drum heads wear out and lose their tonal quality. Regularly assessing the condition of your heads and replacing them when necessary ensures that your drum maintains its optimal sound and performance capabilities.